Our weekend workshops venture has been slowly getting off the ground but had a major
lift in our workshop on the weekend of April 18th - 21st. Entitled 'Banjo for the Adventurous',
we sought to offer a unique experience for intermediate to advanced players that were willing
to take a chance on what we had to offer in the way of claw hammer banjo instruction. We had
six players (our class size limit) participate for the weekend beginning with a jam on Thursday PM following a wonderful pizza and salad supper. Both pizza and mixed greens/ raw veggies salad were made from scratch by Jenny.
Being a banjo player who also plays OT fiddle, I fiddled many tunes familiar to the
participants in the Thursday jam while Jenny played her usual strong back-up guitar.
It was hard to quit for the evening but we knew we'd better
save our energy for the Friday activities starting with breakfast for those who stayed here on the farm
that night. One even camped in his old Volvo Station wagon. Mac's cabinet/banjo shop became the center of musical activity for jams, classes, and private sessions for the weekend.
The first class on that rainy and windy Friday morning began with everyone tuning to double C for a couple of local tunes that could have just as easily been played in double D. With my personal banjo I prefer to not use a capo and in general prefer short scale banjos that can be easily tuned up to double D even with medium guage strings. Being that the class was going to get the opportunity to play for the flatfoot dancers by sitting in with Mac's OT group at the Floyd Country Store that evening we concentrated on learning some local favorites. Old time versions of Tommy Love, Saro, and Sally Ann were presented and sailed through and even remembered after the coffee break. Banjo student extraordinaire, Skip Slocum, stepped in to lead the class in nailing down the one part tune 'Saro' while Mac unexpectedly had to rescue Jenny who had a flat tire on her way to Floyd for some last minute lunch items. Thanks Skip !!! Rain, Rain, and more rain.
Following a gourmet lunch students were free to relax, practice, go to town or just hang out while Mac
gave a series of individual instruction to each participant. What better to do on a rainy Friday, huh.
All were encouraged to leave after their session to check out Floyd, shop, hike etc. and meet at the Floyd Country Store at 7:30 PM for a warm-up with Mac and his group who would be playing for the dancers starting at 9 PM. Mac's group TBA (Twin Banjo Attack) consisted of Mac- fiddle, Andy Buckman - Banjo, Skip Slocum - Banjo, Sam Linkous - bass and George Slusher - guitar.
So after a warm-up session upstairs we all headed down and ended up on the stage before the crowd
of dancers who happened to be pretty good at throwing some rhythm back at us as we played our local favorites at a pace above 120 BPM. All the banjo players hung on through the waltzes and country two steps that are good to play for contrast at a real country dance in the Blue Ridge. The adventure continued when we played a tune called Carroll County Breakdown for a mountain style square dance lead by local caller Shirley Ferris. 10:30 arrived and we weren't asked for an encore which was no
huge surprise as we had earlier filled the place with banjo sounds and the owners Woody and Jackie Crenshaw were ready to clean-up and go home.
Saturday morning class started with a warm-up with the classic one part tune in G 'Groundhog' for the hard core banjo songsters. The adventure continued into the uncharted territory of alternate G tunings for some beginning with a ballad classic "Willie Moore' tuned in gDGAD followed by the common
tune 'Shortning Bread' in eDGBD after a coffee break and before lunch.
After a good midday break, we took a walk around to check on Mac's cows and calves, ate a ramp walked more then returned to Mac's shop. Those interested witnessed a "Banjo Birthing' as Mac finished putting the strings, set the bridge, and played the first tune on his elaborately decorated 75th banjo. See photos of this and other banjos made in Mac's shop at mactraynham.com gallery. Mac lead the afternoon session playing #75 after showing all how to tune from standard G tuning into
the 'cool' tuning eEABD. All were shown how to play the Hammons family classic banjo version of "Sugar Babe'. Since we had tuned up our banjos above standard to play 'Sugar Babe' we adjusted more strings and spent the rest of the afternoon session learning a couple of A Tunes with no capo. All banjos were able to make it up to A with the option of going to G first then capoing. No strings were broken luckily by the truly adventurous. Tunes in A
presented were Merry Mountain Hoedown and Sal's Got a Meatskin aka Russell Higgin's Sally Ann.
Saturday supper was a treat with great cooking by Jenny again. As scheduled after supper we relaxed to enjoy listening carefully to some samples from a unique banjo music collection CD that Mac presented to everyone for their listening enjoyment and inspiration. We also watched some short video clips of
80+ yr old Rhoda Kemp who is a native of the region and has a rhythmic and flamboyant claw hammer style. The adventure continued with a lively jam again in Mac's shop/ classroom until everyone faded out.
Sunday 9:15 AM class resumed (with coffee nearby) knowing that a huge brunch would be ready at noon. Starting in the now familiar double C tuning , the classic banjo tune Old Jake Gille was presented and was caught on by all fairly easily. Lastly, we explored the key of F which can be used for some G tunes when capoed up two frets.
Finally, the adventurous participants all learned the Hobart Smith classic 'Last Chance" and the standard G tune "Sandy River Belle". Following a fantastic French Toast and real Maple syrup feast with fruit galore for the Brunch,
we adjourned and headed to Floyd for the optional Old-time Jam at the Floyd Country Store. By 4 PM
the adventure was concluded and those still left were finally ready to get home. We hope to do this again so please check out southernmtnmelodies.com for our schedule. Contact us anytime for more information.
Monday, April 29, 2013
Wednesday, March 13, 2013
Spring Training 2013
Some of you may been contacted directly by us about our Spring Training weekend workshops
that we are offering in April, May, and even a mid week one in late June. If this is your first visit
to this blog then a GREAT BIG HOWDY to you. Welcome back anyone else.!!
We hope we'll get some interest after taking out an ad in the OT Herald and spreading the word in other ways. We don't want to be annoying. These workshops are intended to help those
who want to play more rhythmically and with more strength.
On a different level Spring Training has begun for our local heritage music program for youth called Floyd JAMS.
In the after school program on Mondays 3-6 PM I have 7 kids ages 8-12 in my class; five of which have been in previous banjo classes under me. The other two are as raw as any beginner can be.
As is to be expected after school in a class of youngsters, When someone has little enthusiasm and desire to play but is in a class knowing absolutely nothing, then, I, as a teacher, have a huge challenge. Thank goodness I have an able assistant in Terry Cartesen who is helping me to motivate the rawest of beginners while I try simultaneously to carry my advanced beginners learn to play carefully and in time. Teaching the basic Clawhammer 'lick' is truly challenging as the actual technical motion is based some much on 'Feeling' the beat. How does one successfully teach that?? Lots of rhythm exercises
and demos of playing exactly with the beat is all I can do hoping that they'll just 'catch' on to it. Indeed some have.
After two semesters
of emphasizing rhythm, timing and tuning by ear I now feel like I can actually make some progress with most of these kids as I show them a basic version Old Joe Clark. I actually made a playlist
of 7 different renditions of the tune by individuals, OT bands, and BG bands in my collection so they could hear some variations on the same tune. I burned and gave everyone in class a copy for homework.
I am also trying to get the kids to become collectors
of recordings the local mountain dance music that I love. I hope that they will learn to love it because they are becoming able to understand how to really play it. With so many distractions in life its a long shot but at least I feel good about sowing some seeds in that regard. Its been sort of a 'mission' for me to pass on my love for the 'local' music especially and how to make others feel something with it.
All my banjo kids have my 2005 CD 'I'm Going That Way', as well as 2009 'Turkey in the Mountain'
which features my banjo playing and Shat Garriock's fiddling. Maybe the music will mean more
to them because it was played by me, the teacher.?
I speculate that most people new to listening in general tend to ignore the 'rustic' homemade sounds preferring the smoother 'clean' sounds that society would deem 'best'. I would hope that those who claim to love any kind of music could define what it is that draws them in and makes it outstanding . For me its all about the feeling of the beat, precision timing, and interesting chord choices with counterpoint transition runs in regards to a ensemble. A great melody moves me as well but a great melody played with subtle rhythm patterns catches my ear every time.
Let us hear from you!!
that we are offering in April, May, and even a mid week one in late June. If this is your first visit
to this blog then a GREAT BIG HOWDY to you. Welcome back anyone else.!!
We hope we'll get some interest after taking out an ad in the OT Herald and spreading the word in other ways. We don't want to be annoying. These workshops are intended to help those
who want to play more rhythmically and with more strength.
On a different level Spring Training has begun for our local heritage music program for youth called Floyd JAMS.
In the after school program on Mondays 3-6 PM I have 7 kids ages 8-12 in my class; five of which have been in previous banjo classes under me. The other two are as raw as any beginner can be.
As is to be expected after school in a class of youngsters, When someone has little enthusiasm and desire to play but is in a class knowing absolutely nothing, then, I, as a teacher, have a huge challenge. Thank goodness I have an able assistant in Terry Cartesen who is helping me to motivate the rawest of beginners while I try simultaneously to carry my advanced beginners learn to play carefully and in time. Teaching the basic Clawhammer 'lick' is truly challenging as the actual technical motion is based some much on 'Feeling' the beat. How does one successfully teach that?? Lots of rhythm exercises
and demos of playing exactly with the beat is all I can do hoping that they'll just 'catch' on to it. Indeed some have.
After two semesters
of emphasizing rhythm, timing and tuning by ear I now feel like I can actually make some progress with most of these kids as I show them a basic version Old Joe Clark. I actually made a playlist
of 7 different renditions of the tune by individuals, OT bands, and BG bands in my collection so they could hear some variations on the same tune. I burned and gave everyone in class a copy for homework.
I am also trying to get the kids to become collectors
of recordings the local mountain dance music that I love. I hope that they will learn to love it because they are becoming able to understand how to really play it. With so many distractions in life its a long shot but at least I feel good about sowing some seeds in that regard. Its been sort of a 'mission' for me to pass on my love for the 'local' music especially and how to make others feel something with it.
All my banjo kids have my 2005 CD 'I'm Going That Way', as well as 2009 'Turkey in the Mountain'
which features my banjo playing and Shat Garriock's fiddling. Maybe the music will mean more
to them because it was played by me, the teacher.?
I speculate that most people new to listening in general tend to ignore the 'rustic' homemade sounds preferring the smoother 'clean' sounds that society would deem 'best'. I would hope that those who claim to love any kind of music could define what it is that draws them in and makes it outstanding . For me its all about the feeling of the beat, precision timing, and interesting chord choices with counterpoint transition runs in regards to a ensemble. A great melody moves me as well but a great melody played with subtle rhythm patterns catches my ear every time.
Let us hear from you!!
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